MULTI BAND VS SINGLE BAND COMPRESSOR MANUAL
MULTI BAND VS SINGLE BAND COMPRESSOR PATCH
MULTI BAND VS SINGLE BAND COMPRESSOR PRO

What sounds вЂњbadвЂќ about a really well designed crossover, with top end compression with musically selected parameters and values on each resulting band? well, nothing! So why do we hear so many depressing screwed up, phase mis-aligned, smeary, pumpy messes? Because the button was there to press, and often placed at the start of manual and in big inviting print on the unit itselfвЂ¦. Aha, so now we are back to the beginning again, the whole вЂњtrashed recordingsвЂќ thing, but before we smash our heads into our keyboards letвЂ™s have a think about this. The concept of presets/wizards/whatever is something which I canвЂ™t honestly say has done anything other than damage probably quite decent sounding recordings or trick people into hearing something theyвЂ™re not. The issue here is how the user was convinced to use these specific units.

MULTI BAND VS SINGLE BAND COMPRESSOR PRO

ItвЂ™s worth stopping at this point before I accidentally drag these units through the dirt to point out that all these units are pro standard audio processors, I would happily work with any of them, and before you think I hate the Finalizer, I have an OG 44.1kHz Finalizer which I bought to use as a second layer of that good old predictable TC multiband on really tricky/restoration jobs. The Finalizer, and itвЂ™s competitors such as the DBX Quantum and Drawmer Masterflow allowed you to load settings with processing applied as default.

MULTI BAND VS SINGLE BAND COMPRESSOR PATCH

ItвЂ™s fixed at 44.1kHz and has a complex array of pages and layers to get to what you want, but if you want to control one to three frequency areas dynamically itвЂ™s still up there with the best! trust me, until it blew up, I was using my studio partnerвЂ™s old M5000 (which sat in the rank infront of me for months until I even bothered to patch it in.) on many of my most successfully bits of work!Д«ig leaps forward in the programming of digital audio equipment had happened between the MD2 development and the Finalizer hitting the market, and this allowed forвЂ¦ presets.Д®arlier I mentioned broadcast processing and multiband, this kind of fixed processing with all the bands engaged was totally the done thing in broadcast by now, but the current multiband mastering processors from TC and also other great companies such as Weiss (see previous article on their original digital mastering processor!) forced you to engage each band on request and set up from scratch.

Although clunky and limited by todayвЂ™s standards this is still a HELL of an audio processor. This device was a host for several different algorithms, notably itвЂ™s NON LIN reverb/delay and itвЂ™s MD2 mastering software. One of the first true pro audio devices taken up by audio engineers was the TC Electonic M5000 digital mainframe (). The advent of the compact disc in the 1980s pushed for the development of digital mastering (and general audio processor) technologies. First of all, letвЂ™s take a short modern history lesson. Well this is what IвЂ™m hoping to debunk and offer some closure on. So hang on, multiband compressors are on almost everything already? so why is there mention to quite a lot of audio engineers a cue to exhale a huge passive aggressive sigh? This technology is also replicated in vinyl cutting, often known as a вЂњhigh frequency limiterвЂќ, but essentially the same thing tuned for a specific task. This is a multiband compressor with only one band active to edit (often the highest band or a mid band focused on the S area of the human voice, or both).

A famous type of multiband compressor all types of audio engineers use is a вЂњde-esserвЂќ. The technical theory of splitting bands, applying dynamic control and summing back together comes loosely from broadcast technology, where you have a lot of audio and a narrow everything (bandwidth, dynamic range) due to the nature of radio broadcasting and a large range of playback scenarios to consider.

Multi band vs single band compressor